c.
2019 Rod Ice
All
rights reserved
(2-19)
Note:
What follows here is a bit of self-analysis. Writing about the
process of professional writing. Apologies to those not personally
active in the field, or interested in peering behind the veil.
Absolute
power.
In
yonder days, this sort of governance was carried out by a monarch of
some sort. A king or queen, often said to have been anointed by
higher grace. In modern terms, possessing such might would more
likely be characterized as a dictatorship, frequently avoiding
mentions of God altogether. Civilized nations have graduated to more
democratic habits. But in the world of professional journalism, the
concept has lingered on with indelible force.
When
the production of printed matter was a more tedious process, one
publisher could enhance or restrict the flow of news and information
for an entire community, simply by editing their newspaper content.
Thus, public opinion could be shaped and molded at will. Buoyed by
education or sunk by prejudice. This authority to choose came simply
from owning the press. Internet connectivity might have seemed likely
to explode the primitive ethos. Yet with many journals still
published around the country, this anachronistic way of life has
continued. The results remain vague and varied like those in charge.
For
this writer, the looming presence of an editor neatly fit that
paradigm of blessing and curse. Some were investigators by nature,
curious and questioning, always. Happy to test limits and boundaries.
Seeking content not seen elsewhere. Looking to find new horizons.
Others were gladdened by huddling in their respective enclaves.
Echoing echoes of repeated duplicity like a mirror reflecting the
same muddled points of light over and over again. Going along to get
along. Stale and safe. Neither gaining or losing ground, but existing
for the purpose of a static sentience.
When
I wrote for a motorcycle magazine published in California, my editor
had a keen sense of the genre. Each new submission had me pondering
if I might have reached his limit of professional endurance. But
over-the-top material was an everyday meal for this seasoned fellow.
His publishing parameters were vast. So I rarely encountered the
sting of veto power. Perhaps a sort of liberty inappropriate for a
developing wordsmith, in need of guidance. Later, at a local
newspaper, this judicial gavel swung more freely. When I offered a
column about a local football hero of consequence, it was rejected
because he did not like sports of any kind. The yield was numb
acceptance. And a document cheered by readers when it finally saw
publication elsewhere, at a later date.
In
each case, the rule of law was precipitated by one man’s opinion.
My
retirement from traditional print media in 2014 felt like a sort of
defeat, at first. Being unplugged from the continuum. Yet when I
began the new ‘WOTL’ online series, a twinkle of magic appeared.
Suddenly, the prose on each page was truly my own. Rendered in the
purest form.
My
heart sang a Lou Reed composition from years before:
I’m
Set Free (The Velvet Underground, 1969)
I’ve
been set free and I’ve been bound
To
the memories of yesterday’s clouds
I’ve
been set free and I’ve been bound
And
now
I’m
set free
I’m
set free
I’m
set free to find a new illusion
I’ve
been blinded but - now I can see
What
in the world has happened to me
The
prince of stories who walks right by me
And
now
I’m
set free
I’m
set free
I’m
set free to find a new illusion
I’ve
been set free and I’ve been bound
Let
me tell you people - what I’ve found
I
saw my head laughing – rolling on the ground
And
now
I’m
set free
I’m
set free
I’m
set free to find a new illusion
Cyberspace
technology has offered a revolution of unparalleled significance.
With the ability to sling words around the globe, some writers have
truly been empowered. One need honor few restrictions of content,
when working as a solo creator. Yet the resulting glut of material
has created a blurred focus for many readers. The tide of garbled and
unpolished work has washed upon every shore. Creating a world in
which some editorial sifting might be useful.
Working
long hours overnight, I sometimes ask my Black Lab for a canine
review, after tapping away at the keyboard. I invite him to put a paw
to the screen and opine about the words displayed. With the house
otherwise empty and silent, he typically growls out an old-man groan
of sympathy. But, little else. Still, the admonition seems clear
enough.
“Writer,
edit thyself.”
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