c.
2018 Rod Ice
All
rights reserved
(9-18)
Wordsmithing.
A noble endeavor.
A
few years ago, as part of my regular newspaper series, I tried
including material from other writers in the area. My intent was to
help them gain confidence and exposure as they learned the craft.
Interacting with these friends helped me to understand the plight of
creative souls more completely. While I had personally grown up in a
family blessed with many engaged in this habit, it became clear that
not everyone had that advantage. So the thought of giving
encouragement seemed useful.
One
of these kindred spirits, Cheryl Kelly, still contributes regularly
to my online newspaper/blog, ‘The Geauga Independent.’ Her
perspective is that of a career mom who has endured the challenges of
divorce and office politics to thrive. I cherish the privilege of
watching her development, in print.
More
recently, I noted that one of my Facebook contacts, Robin Donnelly,
was having her first volume published. An experience worthy of
celebration. A bit of searching revealed that her book was called
‘Steel Town Girl’ and had been listed on Amazon. Instead of
penning a typical manuscript review, I was curious about the writer
herself and the experience of bringing this project to fruition.
Robin
was eager to speak about her life and the beginning of her own
journey toward being an author:
“I
began writing in a diary, as a lot of young girls do, as a way to be
seen and heard when upset. Eventually, though, my mother would find
and read my diary, so I stopped writing and stuffed down my feelings
instead. When I became a young, single mother, I started writing as a
way to cope with the painful memories of my past, and filed my
memories away in a 3-ring binder as a way of ‘letting go’ to show
up for my role as a mom. I carted that notebook around with me
everywhere we ever moved, and later transferred them into a computer
for safer keeping. I thought by writing them out, I was somehow
dealing with them, but, it turns out that although writing them out
is good, writing them out and processing them, are two very different
things.”
I
wondered how she made the quantum leap from jotting down personal
notes, to the discipline of creating a formal document for
publication. Her response detailed a unique path toward professional
writing:
“I
didn’t grow up with encouragers within my family to write, but I
did have an aunt that said I could do anything I wanted to do as long
as I applied myself. She was a voracious reader and studied things
that interested her or that kept her mind young. She left an
indelible impression on me and I somehow ended up being more like her
than anyone else in my family. Also, I had been in and out of
counseling since my teens looking for answers to why I was feeling
the way I was, and they all seemed to emphasize writing as being a
very valuable and healthy way of dealing with painful memories so I
just kept writing. And, the first memoir that really inspired me to
continue writing was ‘The Glass Castle’ by Jeanette Walls. I
loved how she told her stories. She wasn’t the victim. Her parents
weren’t the enemy, and she didn’t tell her stories to whine or
hurt anybody. It was just a factual account of their lives she
thought deserved to be told. When I became a nurse and documented my
care of my patients, I occasionally got notes in my mailbox from
other nurses, saying how much they looked forward to following my
shift because they enjoyed reading my nurse's notes so much. So, I
guess it’s the example set by my aunt to keep striving and
learning, coworkers saying they enjoyed reading my writing reading
good memoir(s), and lots of counselors that encouraged
me to just keep writing about what hurt.”
I
could tell that she had developed an essential characteristic for a
professional scribe – the literal ‘need’ to tell their story.
This yearning to be heard and understood is potent stuff. A powerful
fuel that can propel those who tap out creative text through many
cares and woes of daily life. But in Robin’s case, the trek toward
distilling her ideas into a workable format required much
soul-searching and sacrifice:
“My
family is small and consists of a husband and two grown boys but they
couldn’t be happier for me. The only people aware of just how much
work it was to complete Steel Town Girl, and what a toll confronting
the trauma took on my health, is my husband an counselor. It was a
huge undertaking that at times I wasn’t sure I could continue
working through. In the midst of processing it all, I was diagnosed
with C/P.T.S.D. and needed to take weeks, sometimes months off.
Showing up for yourself for the first time in decades, to sit with
what hurts you, is one of the hardest things I have done in my life.”
I
wondered about the actual process of producing her book. She spoke
honestly about this maiden voyage into the realm of authorship:
“It
was never what I thought it was going to be. What I thought would be
the most difficult wasn’t, and what I thought would be the easiest
wasn’t. And, truth be told, hitting the self-publish button was
completely underwhelming. I’m not sure if I thought Create Space
would send balloons and streamers through my computer screen or what,
but I was like ‘That’s it?’ In the whole process from first
edit to publish, there were so many final, final, FINAL things that
go into it all, that I learned to stop using the word ‘final.’”
Robin’s
candid assessment made me smile. In my own world of newspaper prose,
I have often remarked that my work is ‘as good as my last column or
article.’ Like the movie ‘Groundhog Day’ the experience starts
over and over and over again with a rapidity that eschews lingering
on doubt and over analysis. The short span of time before deadline
forces a sort of routine akin to a professional athlete.
Unfortunately, this sometimes can mean that a story misses the mark,
like a wild pitch in baseball. But, redemption is always ready, with
the next throw.
Pondering
the title of her book, I was moved to ask about the true identity of
her subject. Robin answered by peering into her own ‘back pages’
for answers:
“This
is an interesting question because we are just now finding out who we
are. As a child, the Steel Town Girl is a vulnerable, confused, silly
girl at heart, who just wants to be a kid, and longs to be loved and
seen by her family. But, because of dysfunctional family dynamics and
abuse, she doesn’t get to have a childhood. She’s a wounded child
by night, and an extra, super, do-gooder by day. Many Steel Town
Girls are just now, in midlife, waking up to what they really are
without all the conditioning of ‘never good enough,’ ‘who do
you think you are?’ and confronting the fear caused by being told
‘You’d shut your mouth if you knew what was good for you.’ We
have empty nests now, and are some years into retirement, wondering
where our loves and lives have gone? And for as much compassion,
time, and energy we’ve given to raise up others, we are left alone
to pick up the pieces of our fragmented selves. We’ve given up our
lives and our identities to our families who somehow have taken us
for granted and look at us as if we are somewhat unhinged. So, we
turn to stare at a face we no longer recognize and realize in the
end, after all this, we are alone. We pull the capes we wear from
under us, and sit down at our computers to sew together the pieces of
our secrets for far too long. We’ve stayed strong for so long and
the magnitude of staying silent for one more second is crushing us.
We learn to stand up for ourselves once and for all. And we weep for
the little girls we realize we left, lost, without a voice for their
pain. So we do the work even when we don’t want to, and when we’re
done, we show up with our stories in hand and say ‘Of course I look
unhinged. This is what my life has been like, I hope you understand
why I didn’t tell you this before.’ We are the women trying to
find the strength to love ourselves through the difficult chapters of
our lives all while taking the risk of being judged and ridiculed for
feeling anything about it at all.”
Robin
painted a vivid word-picture with her description. I reckoned the
book was one likely to help unlock the creative impulses of readers
with their own stories to share. But from my personal experiences as
an author, I knew that the actual marketing of a printed volume could
be daunting. A task much less thrilling than that of creating the
tale.
I
asked about her plans for promoting the work. She was on-point in
answering with obvious skills in such things having already been
developed:
“Ah,
marketing. I needed to be laser focused on writing and finishing my
book, so, here I am, just now immersing myself in all that I need to
know about marketing a book. I used to own a brick and mortar
business at one time that was successful, and I’m seeing now that
marketing this book is very similar to the marketing I did with that.
So, I will again do what I did with my business; deliver a good
product is number one, update and use my blogs, FB posts/ads,
word-of-mouth, YT videos, give-aways, mailing lists, a blog tour like
this one and promote other self published authors, and various other
things. Right now, I just want to breathe. Marketing you will never
see me doing: a book reading.”
I
was impressed by her action plan. Much like the Steel Town Girl she
had described, who served as a mother even while battling her own
silent agony, she had a map in place to reach her goals. One that
charted the steps needing to be taken.
In
summation, I wondered about advice that she might impart to others
seeking to immerse themselves in the craft. Her thoughts were
refreshing, well-founded and holistic in nature:
“Everyone
is different, but my focus was and is: eating right, walking/or some
kind of exercise, then writing, in that order. I accomplish any big
thing in steps. So, I make lists of the immediate next steps that
need to be completed, and try not to concern myself with what is too
far down the road. I get done what needs done today, and check it
off. And I keep doing that again and again. I use a planner and stay
organized. I tried hard to ignore anything frivolous that kept me
from writing. I stopped using FB for anything, but keeping myself
accountable. When you see in your memories that FB is telling you a
year ago that you wrote 2,342 words ‘on this day,’ but you are
still not done with your book, it re-ignites a fire under you to keep
your word(s) to yourself. I stopped wasting precious time getting
involved in lengthy discussions in comment streams or groups on
social media. And I stopped attending webinars on how-to write
memoir(s) after my husband pointed out I might be using them to
procrastinate. He was right. I also stopped reading other people’s
memoirs while trying to find my own voice. I got control of my mind
and I just wrote. If I went down a rabbit hole, so be it. I chased
the feeling of being done and being published all the way till I
caught it by the tail. I don’t write to impress others. I write to
express what’s in my heart.”
Robin’s
remarks reminded me of an admonition from my own father, an active
writer and author throughout his life. After watching me fail to find
inspiration as a wordsmith, he insisted that I write from my own
experiences. “You know those better than anything else,” he
advised. His words were like gold in my pocket. Suddenly, I struggled
no more.
With
our interview complete, I felt happy to have made contact with this
local writer in a journalistic setting. I felt sure that more
correspondence about the project was likely to follow, in the future.
And, that the ‘Steel Town Girl’ would soon be better-known by
readers, everywhere.
Comments
about ‘Words On The Loose’ may be sent to:
icewritesforyou@gmail.com
Write
us at: P. O. Box 365 Chardon, OH 44024
Find Robin's book at: https://www.amazon.com/Steel-Town-Girl-Robin-Donnelly/dp/1726119912
Read Robin's blog at: https://robin-donnelly.com
Find Robin's book at: https://www.amazon.com/Steel-Town-Girl-Robin-Donnelly/dp/1726119912
Read Robin's blog at: https://robin-donnelly.com